Cuesta, H. (2022) Data-driven Pitch Content Description of Choral Singing RecordingsDirector: Emilia Gómez. [Video defence]

Muneratti, F. (2022) A machine learning approach to computer modeling of musical expression for performance learning and practice. Director: Rafael Ramírez.

Yesiler, F. (2022) Data-driven Musical Version Identification: Accuracy, Scalability, and Bias Perspectives. Directors: Emilia Gómez and Joan Serrà. [Video defence]

Fonseca, E. (2021) Training Sound Event Classifiers Using Different Types of Supervision. Directors: Xavier Serra & Frederic Font. [Video defence]

Ferraro, A. (2021) Music Recommender Systems: Taking Into Account The Artists' Perspective. Director: Xavier Serra. [Video defence]

Blanco, A.D. (2021) Educational Technologies and the Impact of Feedback on Violin Learning. A Behavioral and Electrophysiological Account. Director: Rafael Ramírez. [Video defence]

Chandna, P. (2021) Neural Networks for Singing Voice Extraction in Monaural Polyphonic Music Signals. Director: Emilia Gómez. [Video defence]

Sayis, B. (2021) Computational Modeling of User Activity in Full-Body Interaction Environments for ASC Children: Multimodal Analysis of Social Interaction Behaviors through Psychophysiology, System Activity, Video Coding, Questionnaires, and Body Cues. Directors: Narcís Parés & Rafael Ramírez

Meléndez, B. (2021) Relative Music Loudness Estimation In TV Broadcast Audio Using Deep Learning. Directors: Emilia Gómez & Emilio Molina. [Video defence]

Favory, X. (2021) Improving Sound Retrieval in Large Collaborative CollectionsDirectors: Xavier Serra & Frederic Font. [Video defence]

Cabrera Dalmazzo, D. (2020) Machine Learning and Deep Neural Networks Approach to Modelling Musical Gestures. Director: Rafael Ramírez.[Video defence]

Pérez, A. (2020) Parametric Analysis of Ambisonic Audio: Contributions to methods, applications and data generation. Directors: Emilia Gómez & Adán Garriga. [Video defence]

Slizovskaia, O. (2020) Audio-visual deep learning methods for musical instrument classification and separation. Directors: Emilia Gómez & Gloria Haro. [Video defence]

Pons, J.  (2019). Deep Neural Networks for Music and Audio Tagging. Director: Xavier Serra.

Herrera, P.  (2018). MIRages: an account of music audio extractors, semantic description and context-awareness, in the three ages of MIR. Directors: Xavier Serra & Emilia Gómez. [Defence slides]  [Video defence]

Gong, R.  (2018). Automatic Assessment of Singing Voice Pronunciation: A Case Study with Jingju Music.  Director: Xavier Serra. [Additional material]

Nuanáin, C. Ó.  (2018). Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains. Directors: Sergi Jordà & Perfecto Herrera. [Presentation, experiments]

Faraldo, Á.  (2018). Tonality Estimation in Electronic Dance Music: A Computational and Musically Informed Examination. Director: Sergi Jordà.

Miron, M.  (2018). Source Separation Methods for Orchestral Music: Timbre-Informed and Score-Informed Strategies. Directors: Emilia Gómez & Jordi Janer.

Caro Repetto, R.  (2018). The musical dimension of Chinese traditional theatre: An analysis from computer aided musicology. Directors: Manel Ollé & Xavier Serra. [Additional material] [Video defence]

Gómez-Marín, D.  (2018). Similarity and Style in Electronic Dance Music Drum Rhythms.  Director: Sergi Jordà.

Oramas, S.  (2017). Knowledge Extraction and Representation Learning for Music Recommendation and Classification. Director: Xavier Serra. [Video defence]

Bosch, J.  (2017). From Heuristics-Based to Data-Driven Audio Melody Extraction. Director: Emilia Gómez.

Dzhambazov, G.  (2017). Knowledge-based Probabilistic Modeling for Tracking Lyrics in Music Audio Signals.  Director: Xavier Serra. [Additional material] [Video defence]

Sarasúa, Á.  (2017). Musical Interaction Based on the Conductor Metaphor.   Directors: Emilia Gómez & Enric Guaus.

Gulati, S.  (2016). Computational Approaches for Melodic Description in Indian Art Music Corpora. Director: Xavier Serra. [Additional material] [Video defence]

Koduri, G. K.  (2016). Towards a multimodal knowledge base for Indian art music: A case study with melodic intonation.  Director: Xavier Serra. [Additional material] [Video defence]

Vamvakousis, Z.  (2016). Digital Musical Instruments for People with Physical Disabilities.  Director: Rafael Ramírez.

Sentürk, S.  (2016). Computational Analysis of Audio Recordings and Music Scores for the Description and Discovery of Ottoman-Turkish Makam Music.  Director: Xavier Serra. [Additional material] [Video defence]

Srinivasamurthy, A.  (2016). A Data-driven Bayesian Approach to Automatic Rhythm Analysis of Indian Art Music.  Director: Xavier Serra. [Additional material] [Video defence]

Giraldo, S.  (2016). Computational Modelling of Expressive Music Performance in Jazz Guitar: A Machine Learning Approach. Director: Rafael Ramírez.

Coleman, G.  (2016). Descriptor Control of Sound Transformations and Mosaicing Synthesis. Directors: Jordi Bonada & Xavier Serra.

Umbert, M.  (2016). Expression Control of Singing Voice Synthesis: Modeling Pitch and Dynamics with Unit Selection and Statistical Approaches.  Directors: Jordi Bonada & Xavier Serra.

Papiotis, P.  (2016). A computational approach to studying interdependence in string quartet performance.  Directors: Esteban Maestre & Xavier Serra.

Gallardo, D.  (2015). Expanding tangible tabletop interfaces beyond the display.   Director: Sergi Jordà.

Roma, G.  (2015). Algorithms and representations for supporting online music creation with large-scale audio databases.  Director: Xavier Serra.

Font, F.  (2015). Tag Recommendation using Folksonomy Information for Online Sound Sharing Platforms.  Director: Xavier Serra & Joan Serrà.

Julià, C. F.  (2015). Making Tabletops Useful with Applications, Frameworks and Multi-Tasking.  Director: Sergi Jordà.

Kersten, S.  (2015). Statistical modelling and resynthesis of environmental texture soundsDirector: Xavier Serra & Hendrik Purwins.

Marchini, M.  (2014). Analysis of Ensemble Expressive Performance in String Quartets: a Statistical and Machine Learning Approach.  Director: Esteban Maestre & Rafael Ramírez.

Salselas, I.  (2013). Exploring interactions between music and language during the early development of music cognition. A computational modelling approach.  Director: Xavier Serra.

Martorell, A.  (2013). Modelling tonal context dynamics by temporal multi-scale analysis.  Director: Emilia Gómez.

Özaslan, T.  (2013). Computational Analysis of Expressivity in Classical Guitar Performances.  Directors: Josep Lluís Arcos & Xavier Serra.

Haro, G. G.  (2013). Statistical Distribution of Common Audio Features.  Director: Xavier Serra.

Marxer, R.  (2013). Audio Source Separation for Music in Low-latency and High-latency Scenarios.  Directors: Xavier Serra & Jordi Janer.

Zapata, J. R.  (2013). Comparative evaluation and combination of automatic rhythm description systems.  Director: Emilia Gómez.

Bogdanov, D.  (2013). From music similarity to music recommendation: Computational approaches based on audio features and metadata.   Director: Xavier Serra.

Salamon, J.  (2013). Melody Extraction from Polyphonic Music Signals. Directors: Emilia Gómez & Xavier Serra.

Musevic, S.  (2013). Non-Stationary Sinusoidal Analysis.   Directors: Xavier Serra & Jordi Bonada.

Sordo, M.  (2012). Semantic Annotation of Music Collections: A Computational Approach.  Directors: Xavier Serra & Oscar Celma.

Fuhrmann, F.  (2012). Automatic musical instrument recognition from polyphonic music audio signals.  Director: Xavier Serra.

Laurier, C.  (2011). Automatic Classification of Musical Mood by Content-Based Analysis. Director: Xavier Serra. 

Serrà, J.  (2011). Identification of versions of the same musical composition by processing audio descriptions.  Director: Xavier Serra. 

Hazan, A.  (2010). Musical Expectation Modelling from Audio: a causal mid-level approach to predictive representation and learning of spectro-temporal events.  Director: Xavier Serra. 

Guaus, E.  (2009). Audio content processing for automatic music genre classification: descriptors, databases, and classifiers. Director: Xavier Serra. 

Pérez, A.  (2009). Enhancing Spectral Synthesis Techniques with Performance Gestures using the Violin as a Case Study. Director: Xavier Serra. 

Maestre, E.  (2009). Modeling instrumental gestures: an analysis/synthesis framework for violin bowing. Director: Xavier Serra. 

Celma, Ò.  (2008). Music Recommendation and Discovery in the Long Tail. Director: Xavier Serra.

Janer, J.  (2008). Singing-driven Interfaces for Sound Synthesizers. Director: Xavier Serra.

Bonada, J.  (2008). Voice Processing and Synthesis by Performance Sampling and Spectral Models. Director: Xavier Serra.

Cano, P.  (2007). Content-Based Audio Search from Fingerprinting to Semantic Audio Retrieval. Director: Xavier Serra.

Streich, S.  (2007). Music Complexity a multi-faceted description of audio content. Director: Xavier Serra.

Loscos, A.  (2007). Spectral Processing Of The Singing Voice. Director: Xavier Serra.

Ong, B.  (2007). Structural Analysis and Segmentation of Music Signals. Director: Xavier Serra.

Barbosa, A.  (2006). Computer-Supported Cooperative Work for Music Applications. Directors: Xavier Serra & Sergi Jordà. 

Grachten, M.  (2006). Expressivity-aware Tempo Transformations of Music Performances Using Case Based Reasoning. Director: Josep Lluís Arcos.

Gómez, E.  (2006). Tonal Description of Music Audio Signals.  Director: Xavier Serra.

Gouyon, F.  (2005). A computational approach to rhythm description --- Audio features for the computation of rhythm periodicity functions and their use in tempo induction and music content processing. Directors: Gerhard Widmer Xavier Serra.

Jordà, S.  (2005). Digital Lutherie Crafting musical computers for new musics' performance and improvisation.  Director: Xavier Serra.

Amatriain, X.  (2005). An Object-Oriented Metamodel for Digital Signal Processing with a focus on Audio and Music. Director: Xavier Serra.