Oliva, M., Tomasena, J. M., & Anglada-pujol, O. (2023). ‘ Kids , these YouTubers are stealing from you ’: influencers and online discussions about taxes. Information, Communication & Society, 1–18. https://doi.org/10.1080/1369118X.2023.2179374. Accés al text (pre-print)

Oliva, M. (2022). ‘Me encanta mi trabajo, pero es un trabajo’: Creadores de contenido en redes sociales e imaginarios laborales. Palabra Clave, 25(4), 1–25. https://doi.org/10.5294/pacla.2022.25.4.4

Oliva, M., Gómez Puertas, L., & Besalú, R. (2021). Imaginarios de la crisis en la cultura popular española (2008-2015): Narrativas neoliberales en el entretenimiento y la ficción televisivos. IC - Revista Científica de Información y Comunicación, 18(2021), 71–93. https://icjournal-ojs.org/index.php/IC-Journal/article/view/633

Oliva, M., Pérez-Latorre, Ó., & Besalú, R. (2021). ‘In the end you adapt to anything’: Responses to narratives of resilience and entrepreneurship in post-recession Spain. European Journal of Cultural Studies. August 22 2021. Epub ahead of print: https://journals.sagepub.com/doi/10.1177/13675494211034168

Jorge, A., Oliva, M., & Aguiar L. M. (2021). Offshoring & leaking: Cristiano Ronaldo’s tax evasion, and celebrity in neoliberal times. Popular Communication: The International Journal of Media and Culture, 19(3), 178-192. https://doi.org/10.1080/15405702.2021.1913491

Salvadó, A., Oliva, M., & Tedesco, B. (2021). From the handshake to the kiss: Visual motifs of affect in representations of politics in the Spanish press. Communication & Society, 34(2), 247-261. https://doi.org/10.15581/003.34.2.247-261

Salvadó, A., Oliva, M., & Pintor, I. (2020). The screen that sees all: The visual motif of the control room in contemporary fiction.  L’Atalante: Revista de Estudios Cinematográficos, (30), 167-181. http://www.revistaatalante.com/index.php?journal=atalante&page=article&op=view&path%5B%5D=798&path%5B%5D=624

Oliva, M. (2020). From the literary field to reality TV: The perils of downward celebrity migration. European Journal of Cultural Studies, 23(1), 18-34. https://doi.org/10.1177/1367549419861633

Oliva, M., & Pérez-Latorre, Ó. (2020). ‘Celebrities also suffer from the economic crisis’: Broke celebrities and neoliberal narratives from Spain’s Great Recession. Celebrity Studies, 11(2), 237-256. https://doi.org/10.1080/19392397.2018.1557533

Oliva, M. (2019). The political relevance of ‘almost trivial-looking things’: An interview with Theo van Leeuwen. Comparative Cinema, 7(12), 69–90. https://doi.org/10.31009/cc.2019.v7.i12.05

Pérez-Latorre, Ó., & Oliva, M. (2019). Video games, dystopia, and neoliberalism: The case of BioShock Infinite. Games and Culture, 14(7-8), 781-800. https://doi.org/10.1177/1555412017727226

Besalú, R., Oliva, M., & Pérez-Latorre, Ó. (2018). Framing Sálvame: Public debates on taste, quality and television in Spain. Communications: The European Journal of Communication Research, 43(2), 209–233. https://doi.org/10.1515/commun-2017-0055

Oliva, M., Pérez-Latorre, Ó., & Besalú, R. (2018). ‘Choose, collect, manage, win!’: Neoliberalism, enterprising culture and risk society in video game covers. Convergence: The International Journal of Research into New Media Technologies, 24(6), 607–622. https://doi.org/10.1177/1354856516680324

Pérez-Latorre, Ó., Oliva, M., & Besalú, R. (2017). Videogame analysis: A social-semiotic approach. Social Semiotics, 27(5), 586-603. https://doi.org/10.1080/10350330.2016.1191146

Oliva, M., Pérez-Latorre, Ó., & Besalú, R. (2015). The celebrification of political candidates: Celebrity culture, electoral marketing and the construction of politicians’ public image. Arbor: Ciencia, Pensamiento y Cultura, 191(775), Article a270. https://doi.org/10.3989/arbor.2015.775n5009

Oliva, M. (2014). Celebrity, class and gender in Spain: An analysis of Belén Esteban’s image. Celebrity Studies, 5(4), 438-454. https://doi.org/10.1080/19392397.2014.920238

Pérez, Ó., Oliva, M., & Pujadas, E. (2014). The representation of political deliberation in television: A comparative analysis of informative and infotainment programmes. Observatorio (OBS*), 8(2), 45-66. http://obs.obercom.pt/index.php/obs/article/view/780/659

Oliva, M. (2012). Fame and professional success in Operación Triunfo and Fama ¡a bailar!. Comunicar, 20(39), 185-192. https://doi.org/10.3916/C39-2012-03-09

Oliva, M. (2012). Improving reality: An analysis of Spanish makeover reality television. Comunicación y Sociedad, XXV(1), 189-216. https://revistas.unav.edu/index.php/communication-and-society/article/view/36181

Oliva, M. (2012). Under pressure: An analysis of the ‘real’ effect in reality television. Comunicació: Revista de recerca i d’anàlisi, 29(1), 25-44. https://doi.org/10.2436/20.3008.01.92

Scolari, C.A., Fernández de Azcárate, S., Garín, M., Guerrero, M., Jimenez, M., Martos, A., Obradors, M., Oliva, M., Pérez, Ó., & Pujadas, E. (2012). Narrativas transmediáticas, convergencia audiovisual y nuevas estrategias de comunicación [Transmedia storytelling, audio-visual convergence and new communication strategies]. Quaderns del CAC, XV(1), 75-85. https://www.cac.cat/sites/default/files/2019-01/Q38_scolari_et_al_ES.pdf

Oliva, M., Besalú, R., & Ciaurriz, F. (2009). ‘Más grande, más rápido, mejor’: La representación de la Historia universal en Civilization IV [‘Bigger, faster, better’: The portrayal of history in Civilisation IV]. Comunicación: Revista Internacional de Comunicación Audiovisual, Publicidad y Estudios Culturales, 1(7), 62-79. http://www.revistacomunicacion.org/pdf/n7/articulos/a5_La_representacion_de_la_historia_universal_en_Civilization_IV.pdf

Pérez, Ó., Oliva, M., Guerrero, F., & Ciaurriz, F. (2008). Playing at scientists: Video games and the dissemination of science. Quaderns del CAC, 30, 27-36.

Pujadas, E., & Oliva, M. (2007). Evaluating the diversity of television programming. Quaderns del CAC, 28, 87-98.

Oliva, M. (2006). Overview of audiovisual communication literacy. Quaderns del CAC, 25, 29-40.