Publications
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Haki B, Pelinski T, Nieto M, Jordà S. Completing audio drum loops with symbolic drum suggestions. In: AA.VV.. Proceedings New Interfaces for Musical Expression (NIME'23). México City: 2023. p. 1-8. |
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Haki B, Lenz J, Jorda S. NeuralMidiFx: a wrapper template for deploying neural networks as VST3 plugins. In: AA. VV.. AIMC 2023 Proceedings. AI Music Creativity; 2023. p. 1-18. |
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Haki B, Kotowski B, Lee CLI, Jordà S. TapTamDrum: A Dataset for Dualized Drum Patterns. In: -. Proceedings ISMIR 2023. 24rd International Society for Music Information Retrieval Conference. Milan: ISMIR; 2023. p. 1-7. |
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Salamanca J, Gomez-Marin D, Jorda S. The Dynamic Creativity of Proto-artifacts in Generative Computational Co-creation. CEUR Workshop Proceedings 2023; 3359(0): 98-107. |
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Haki B, Nieto M, Pelinski T, Jordà S. Real-Time Drum Accompaniment Using Transformer Architecture. In: AA. VV.. Proceedings of the 3rd Conference on AI Music Creativity (AIMC 2022). AIMC; 2022. p. 1-10. |
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Hughes A, Jorda S. Applications of Biological and Physiological Signals in Commercial Video Gaming and Game Research: A Review. Frontiers in Computer Science 2021; 3. |
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Nuttall T, Haki B, Jorda S. Transformer Neural Networks for Automated Rhythm Generation. Proceedings of the International Conference on New Inferfaces for Musical Expression 2021; 0(0). |
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Gomez-Marin D, Jorda S, Herrera. Drum rhythm spaces: From polyphonic similarity to generative maps. Journal of New Music Research 2020; 49(5): 438-456. |
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Haki B, Jorda S. A bassline generation system based on sequence-to-sequence learning. Proceedings of the International Conference on New Inferfaces for Musical Expression 2019; 0(0): 204-209. |
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Gomez-Marin D, Jorda S, Herrera P. Drum Rhythm Spaces: From Global Models to Style-Specific Maps. Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics) 2018; 11265 LNCS(0): 123-134. |
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Nuanáin CÓ, Jordà S, Herrera P. k-Best Hidden Markov Model Decoding for Unit Selection in Concatenative Sound Synthesis. In: Aramaki M, Davies M, Kronland-Martinet R, Ystad S (eds.). Music Technology with Swing 13th International Symposium, CMMR 2017. 2018. p. 76-97. |
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Faraldo Á, Jordà S, Herrera P. A Multi-Profile Method for Key Estimation in EDM. In: -. Euromac - European Music Analysis Conference. 2017. |
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Faraldo Á, Jordà S, Herrera P. A Study of Tonal Practises In Electronic Dance Music. In: -. Euromac - European Music Analysis Conference. 2017. |
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Sora C.; Jorda S.; Codina L.. Chasing real-time interaction in new media: towards a new theoretical approach and definition. Digital Creativity 2017; 28(3): 196-205. |
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Xambo A.; Hornecker E.; Marshall P.; Jorda S.; Dobbyn C.; Laney R.. Exploring Social Interaction with a Tangible Music Interface. Interacting with Computers 2017; 29(2). |
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Nistal J, Herrera Boyer P, Jordà S. Exploring the spontaneous expression of human finger-tapping. In: -. 2nd Conference on Computer Simulation of Musical Creativity. 2017. p. 1-11. |
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Jorda S. Interactivity and Live Computer Music. In: Collins N, Escrivan J (eds.). The Cambridge Companion to Electronic Music. Cambridge University Press; 2017. p. 86-103. |
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Nuanain C.; Herrera P.; Jorda S.. Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation. Computer Music Journal 2017; 41(2): 21-37. |
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Jorda S. Sonigraphical Instruments: From FMOL to the reacTable. In: Refsum Jensenius, Alexander; Lyons, Michael. A NIME Reader Fifteen Years of New Interfaces for Musical Expression. Springer International Publishing; 2017. p. 79-96. |
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Nuanain C, Herrera P, Jorda S. An Evaluation Framework and Case Study for Rhythmic Concatenative Synthesis. In: Devaney J, Mandel MI, Turnbull D, Tzanetakis G (eds.). Proceedings of the 17th International Society for Music Information Retrieval Conference ISMIR 2016. ISMIR; 2016. p. 67-72. |