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Evans N, Haki B, Jorda S. GrooveTransformer: a generative drum sequencer Eurorack module. In: Leeuw H, Buser M, Baalman M (eds.). New Interfaces for Musical Expression (NIME) 2024. University of the Arts Utrecht; 2024.

Haki B, Pelinski T, Nieto M, Jordà S. Completing audio drum loops with symbolic drum suggestions. In: AA.VV.. Proceedings New Interfaces for Musical Expression (NIME'23). México City: 2023. p. 1-8.

Haki B, Lenz J, Jorda S. NeuralMidiFx: a wrapper template for deploying neural networks as VST3 plugins. In: AA. VV.. AIMC 2023 Proceedings. AI Music Creativity; 2023. p. 1-18.

Haki B, Kotowski B, Lee CLI, Jordà S. TapTamDrum: A Dataset for Dualized Drum Patterns. In: -. Proceedings ISMIR 2023. 24rd International Society for Music Information Retrieval Conference. Milan: ISMIR; 2023. p. 1-7.

Salamanca J, Gomez-Marin D, Jorda S. The Dynamic Creativity of Proto-artifacts in Generative Computational Co-creation. CEUR Workshop Proceedings 2023; 3359(0): 98-107.

Haki B, Nieto M, Pelinski T, Jordà S. Real-Time Drum Accompaniment Using Transformer Architecture. In: AA. VV.. Proceedings of the 3rd Conference on AI Music Creativity (AIMC 2022). AIMC; 2022. p. 1-10.

Nuttall T, Haki B, Jorda S. Transformer Neural Networks for Automated Rhythm Generation. Proceedings of the International Conference on New Inferfaces for Musical Expression 2021; 0(0).

Gomez-Marin D, Jorda S, Herrera. Drum rhythm spaces: From polyphonic similarity to generative maps. Journal of New Music Research 2020; 49(5): 438-456.

Haki B, Jorda S. A bassline generation system based on sequence-to-sequence learning. Proceedings of the International Conference on New Inferfaces for Musical Expression 2019; 0(0): 204-209.

Gomez-Marin D, Jorda S, Herrera P. Drum Rhythm Spaces: From Global Models to Style-Specific Maps. Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics) 2018; 11265 LNCS(0): 123-134.

Nuanáin CÓ, Jordà S, Herrera P. k-Best Hidden Markov Model Decoding for Unit Selection in Concatenative Sound Synthesis. In: Aramaki M, Davies M, Kronland-Martinet R, Ystad S (eds.). Music Technology with Swing 13th International Symposium, CMMR 2017. 2018. p. 76-97.

Faraldo Á, Jordà S, Herrera P. A Multi-Profile Method for Key Estimation in EDM. In: -. Euromac - European Music Analysis Conference. 2017.

Faraldo Á, Jordà S, Herrera P. A Study of Tonal Practises In Electronic Dance Music. In: -. Euromac - European Music Analysis Conference. 2017.

Xambo A.; Hornecker E.; Marshall P.; Jorda S.; Dobbyn C.; Laney R.. Exploring Social Interaction with a Tangible Music Interface. Interacting with Computers 2017; 29(2).

Nistal J, Herrera Boyer P, Jordà S. Exploring the spontaneous expression of human finger-tapping. In: -. 2nd Conference on Computer Simulation of Musical Creativity. 2017. p. 1-11.

Jorda S. Interactivity and Live Computer Music. In: Collins N, Escrivan J (eds.). The Cambridge Companion to Electronic Music. Cambridge University Press; 2017. p. 86-103.

Jorda S. Sonigraphical Instruments: From FMOL to the reacTable. In: Refsum Jensenius, Alexander; Lyons, Michael. A NIME Reader Fifteen Years of New Interfaces for Musical Expression. Springer International Publishing; 2017. p. 79-96.