Referencias bibliográficas
Base de Dades
- Arte Primitivo, Perspectivas Antropológicas, Museografía
- Primitivismo
- Arte Africano
- Arte de Oceanía
- Arte Indígena de América
- Bibliografía Relacionada: Estética, Filosofía, Historia de les Religiones
Arte Primitivo, Perspectivas Antropológicas, Museografía
AMES, Michael M., Cannibal tours and glass boxes: the anthropology of museums, Vancuver: UBC Press,1992.
ANDERSON, Richard L.(ed.), Art in a small-scale societies contemporary readings,Englewoods Cliffs, Prentice Hall, 1993.
AUGÉ, Marc, Les Sens des autres. Actualité de l'antrophologie, France: Fayard, 1994.
BARKAN, Elazar, Prehistories of the future, Stanford: Stanford University, 1995
BARRINGER, Tim and FLYNN, Tom, Colonialism and the object empire,Material culture and the museum, London: Routledge, 1998.
BENNET, Tony, The Birth of the Museum: History, Theory, Politics, London: Routledge, 1995.
BLOCKER, H. Gene, The Aesthetics of Primitive Art, Lanham: Unversity Press of America, 1994.
BOAS, Franz, El Arte primitivo, Buenos Aires: Fondo de Cultura Económica,1947.
BURT, Eugene, Serials Guide to Ethnoart: A Guide to Serial Publications on Visual Arts of Africa, Oceania, and America, New York: Greenwood Press, 1990.
CARR, Christopher and NEITZEL, Jill (ed.), Style, Society, and Person. Archeological and Ethnological Perspectives, New York: Plenum Press, 1995.
GARCÍA CANCLINI, N., Culturas Híbridas: Estrategias para entrar y salir de la modernidad, Barcelona: Paidós, 2001.
CLIFFORD, James, Dilemas de la cultura, antropología, literatura y arte en la perspectiva postmoderna, Barcelona: Gedisa, 1995.
CLIFFORD, James, Malaise dans la culture l'etnographie, la littérature et l'art au XXè siècle, Paris:École nationale supérieure des Beaux-Arts, 1996.
CLIFFORD, James, The Predicament of culture twentieth-century ethnography, literature, and art, Cambridge: Harvard University Press, 1988.
CLIFFORD, James, Retóricas de la antropología, Madrid: Júcar, 1991.
CLIFFORD, James, Writing Culture: The Poetics and Politics of Ethnography; A School of American Research Advanced Seminar, California: Berkeley University of California Press, 1986.
COETZEE, J.M. Esperant els bàrbars, Barcelona: Edhasa, 1988.
COOTE, Jeremy and SHELTON, Anthon, Antropology, art and Aesthetics, Oxford: Clarendon, 1992.
DANTO, A., GRAMLY, R.M. et al., Art-Artifact: African Art in anthropology collections, New York: Center for African Arts, 1989.
FYFE, Gordon and MACDONALD, Sharon (ed), Theorizing museums representing identity and diversity in a changin world, Oxford: Blackwell, 1996.
FABIAN, Johannes. Time and The Others. How Antrophology Makes its Object, New York: Columbia University Press, 1983.
GIEDION, S., El Presente eterno, Una aportación al tema de la constancia y el cambio, Madrid: Alianza, 1992.
GRABURN, Nelson H.H., Ethnic and tourist arts cultural expressions from the fourth world, Berkeley: University of California Press, 1976.
GRÖNING, Kalrl (ed) Body Decoration: A world Survey of Body Art, New York: The Vendome Press, 1998.
JACOMIJN SNOEP, N. (comisario), Recettes des dieux : Estètique du fétiche, Paris : Musée du quai Branly, 2009.
KAPLAN, Flora E. S., Museums and the Making of "Ourselves": The Role of Objects in National Identity, London: Leicester University Press, 1994.
KUPER, Adam, The Invention of Primitive Society; Transformations of an Illusion, London: Routledge, 1998.
KUPER, Adam, Anthropologists and Anthropology the British school, 1922-1972,Harmondsworth: Penguin, 1978.
KUPER, Adam, Antropology and Anthropologist the Modern British School, London: Routledge, 1983. 47. KUPER, Adam & Jessica, The Social science encyclopedia, London: Routledge & Kegan Paul, 1985.
LÉVI-STRAUSS, Claude, Arte, lenguaje, etnología, México: SigloXXI, 1975.
LÉVI-STRAUSS, Claude. Mito y significado. Madrid: Alianza, 2009.
LÉVI-STRAUSS, Claude. La alfarera celosa. Barcelona: Paidós, 2008.
LÉVI-STRAUSS, Claude. La Vía de las máscaras. Madrid: Siglo XXI, 2007.
LÉVI-STRAUSS, Claude. El pensamiento Salvaje. México: EFE, 2006.
LÉVI-STRAUSS, Claude. Tristes Trópicos. Barcelona: Paidós, 2006.
MARCUS, George E. and Myers, Fred R., The Traffic in Culture: Refiguring Art and Anthropology, Berkeley: University of California Press, 1995.
MARQUET, Jacques Jérôme Pierre, L'antropologue observe les arts visuels, Paris: Métailié, 1993.
MORPHY, Howard, Animals Into Art, London: Unwin Human,1989.
OCAMPO, Estela, El Fetiche en el museo: Aproximación al arte primitivo. Madrid: Alianza, 2011.
OCAMPO, Estela, Apolo y la Máscara, Barcelona: Icaria, 1985.
PHILLIPS, R., STEINER, C.B. (editores), Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds, London: University of California Press, 1999.
PRICE, Sally, Arts primitifs regards civilisés, Paris: École nationale supérieure des beaux-arts, 1995.
RHODES, Colin, Primitivism and Modern Art, London: Thames and Hudson, 1994.
RICHARDS, David, Masks of difference cultural representations in literature, anthropology and art, Cambridge: Cambridge University Press, 1994.
ROBINSON, Julian, The Quest for Human Beauty: An Illustrated History, New York: W.W.Norton & c., 1998.
RUBIN, Arnold (ed.), Mask of Civilization, Los Angeles: Museum of Cultural History, University of California,1988.
VIALOU, Denis, La Préhistoire, Paris: Gallimard, 1991.
VOGEL, Susan, Art-Artifact, African Art in Antrophology Collections, New York: Center of African Art, Prestel, 1989.
WIEDMANN, August K. German Quest for Primal Origins in Art, Culture and Politics 1900-1933: Die "Flucht in Urzustande". Lewinston: Edwin Mellen Press, 1995
WINCH, Peter, Comprender una sociedad primitiva, Barcelona: Paidós, ICE de la UAB, 1994
Kulturen, Handwerk, Kunst Art, artisanat et societé, Basel, Birkhäuser, 1979.
Museos de Interés General
Museo Americano de Ciencias Naturales
Departamento de Antropología de Harvard
BIHALJI-MERIN,Oto, Modern Primitives, Naive Painting From the Late Seventeenth Century Until the Present Day, London: Thames and Hudson, 1971.
BIHALJI-MERIN, Oto, World Encyclopedia of Naive Art a Hundred Years of Naive Art, London: Frederick Muller, 1984.
CONNELLY, Frances S., The Sleep of Reason: Primitivism in Modern European Art and Aesthetics, 1725-1907, Pennsylvania: University Press University Park, 1995.
DAGEN, Philippe, Peintre, le poète, le sauvage: les voies du primitivisme dans l'art français, Paris: Flammarion, 1998
GOMBRICH, E.H. La Preferencia por lo primitivo. Madrid: Debate: 2003
HARRISON,Charles, Primitivism, Cubism, Abstraction:The Early Twentieth Century, New Haven: Yale University Press, 1993.
HARRISON, Charles, Primitivismo, cubismo y abstracción, los primeros años del siglo XX, Madrid: Akal,1998.
HILLER, Susan, The Myth of Primitivism Perspectives on Art, London: Routledge, 1991.
GOLDWATER, Robert John, Primitivism in Modern Art, Cambridge: Belknap Press of Harvard University Press, 1986.
LEMKE, Sieglinde, Primitivist Modernism. Black Culture and the Origins of Transatlantic Modernism, New York: Oxford University Press, 1998.
LIPPARD, Lucy R., Mixed Blessing. New Art in a Multicultural, New York: Pantheon Books, 1990.
LIPPARD, Lucy R., Overlay. Contemporary Art and the Art of Prehistory, New York: New Press, 1983.
LOVEJOY, Arthur O., Primitivism and Related Ideas in Antiquity, Baltimore:Johns Hopkins University Press 1997
PELTIER,Philippe, Primitivisme et art moderne, Paris: CNDP,1991. 69. PIJOAN,Josep, Arte de los pueblos aborígenes, Madrid: Espasa-Calpe,1989.
RUBIN, William, Primitivism in 20th Century Art, Affinity of The Tribal and the Modern, New York: Museum of Modern Art Boston,1984.
SRIVASTAVA, U. N., Symbolism in the Novels of D. H. Lawrence, Delhi: Parkash Chang Narang for Capital Publishing house,1994.
TORGOVNICK, Marianna, Gone Primitive, Savage Intellects, Modern Lives, Chicago: University of Chicago Press, 1991
RHODES, Colin, Primitivism and Modern Art, London: Thames and Hudson, 1994.
PRICE, Sally, Arts primitifs regards civilisés, Paris: École nationale supérieure des beaux-arts, 1995.
"Primitivism" in 20th Century Art: Affinity of the Tribal and the Modern
September 27, 1984–January 15, 1985. The Museum of Modern Art
Arte Africano
ABIDOUN, Rowland ...(et al), African Art studies, The State of the Discipline Papers Presented at a Symposium...(1987),Washington D.C.: National Museum of African Art Smithsonian, 1990
BLIER, Preston Suzanne, L'Art Royal Africain, Paris: Flammarion, 1997.
COOMBES, Annie E., Reinventing Africa, Museums: Material Culture and Popular Imagination in Late Victorian and Edwardian England, New Haven: Yale University Press, 1994.
CORTÉS LÓPEZ, José Luis, Arte negroafricano, Madrid: Mundo Negro, 1992.
COURTNEY-CLARKE, Margaret, Ndebele. The Art of an African Tribe; Photographs, New YorK: Rizzoli, 1986.
DRISKELL, David C., African American Visual Aesthetics: A Postmodernist View. Washington : Smithsonian Institution Press, 1995
GILLON, Werner, Breve historia del arte africano, Madrid: Alianza, 1989.
GILLON, Werner, Breve historia del arte africano, Madrid: Alianza, 1989.
JEWSIEWICKI, Bogumil et LÉTORNEUAU, Jocelyn, Constructions identitaries questionnements théoriques et etudes de cas Jean-Loup Amselle... [et al], Quebec:Célat, 1992.
JEWSIEWICKI, Bogumil and NEWBURY, David, African Historiographies, What History for Which Africa, California: Beverly Hills Sage, 1986.
JULES-ROSETTE, Benetta, The Messages of Tourist Art and African Semiotic System in Comparative Perspective, New York: Plenum Press, 1984.
LAUDE, Jean, Las Artes del África Negra, Barcelona: Labor, 1973.
LAUDE, Jean, Les Arts de l'Afrique noire, Paris: Librairie Générale Française, 1966.
LEIRIS, Michael, Mirroir de l'Afrique,Gallimard
LEIRIS, Michael, Africa negra, la creación plástica, Madrid: Aguilar, 1967.
LEIRIS, Michael, Cinq études d'ethnologie, Paris: Denoël, 1969.
LEIRIS, Michael, L'Etnòleg davant el colonialisme, Barcelona: Icaria, 1995.
LEIRIS, Michael, La Langue secrète des dogon de Sanga, Paris: Jean Michel Place, 1992.
LEUZINGER, Elsy, África negra, Barcelona: Praxis Seix Barral, 1961.
MUDIMBE, V.Y., The Invention of Africa: Gnosis, Philosophy, and the Order of Knowledge, London: James Currey, 1988.
OGUIBE, Olu, Reading The Contemporary: African Art from Theory to the Marketplace, London: INIVA, 1999
PALERMO, Miguel Ángel, Arte popular africano, Buenos Aires: Centro Editor de América Latina, 1977.
VOGEL, Susan Mullin, Africa Explores 20th Century African Art, New York: Center for African Art, 1991.
VOGEL, Susan Mullin, Baule African Art, Western Eyes, New Haven:Yale University Press, University Art, 1997.
VOGEL, Susan Mullin, African Aesthetics, The Carlo Monzino Collection. New York: Center for African Art, 1986.
VOGEL, Susan Mullin, For Spirits and Kings, New York: Center for African Art, 1981.
WILLET, Frank, African Art: An Introduction, London: Thames &Hudson, 1971.
Àfrica: màgia i poder, 2500 anys d'art a Nigèria. BCN: Fundació La Caixa,1998.
The Bristish Museum, The Sainsbury African Galleries
Directorio de Artes Tribales: http://www.TribalArtsDirectory.com/TribalArts/home.nsf
Arte de Oceanía
ATTWOOD, Bain. The making of the aborigines, Sydney: Allen & Unwin, 1989.
BÜHLER, Alfred, Oceanía y Australia, Barcelona: Praxis, Seix Barral, 1963.
CARUANA, Wally, Aboriginal Art, Londres:Thames and Hudson, 1994.
D'ALLEVA, Anne, Art of the Pacific, London: Weindenfeld and Nicolson, 1998.
GUIART, J., Oceanía, Madrid: Aguilar: 1963.
MEYER, Anthony, Oceanic art, Köln: Konemann, 1995.
MORPHY, Howard, Aboriginal art, London: Phaidon, 1998. 64.
PIJOAN,Josep, Arte de los pueblos aborígenes, Madrid: Espasa-Calpe,1931
SAYERS, Andrew, Aboriginal Artists of the Nineteenth Century, Melbourne: Oxford University Press
SCODITTI, Giancarlo M. G., Kitawa a linguistic and aestheic analysisi of visual art in Melanesia, Berlin: Mouton de Gruyter, 1990.
SCHUSTER, Carl, Joint-marks, A possible index of cultural contact between America, Oceania ant de Far East, Amsterdam: Koninklij Instituut voor de Tropen, 1951.
STARZECKA,D.C, Maori Art and Culture Contributors, London: British Museum Press, 1996.
THOMAS, Nicholas, Double Vision: Art Histories and Colonial Histories in the Pacific, Cambridge: Cambridge University Press, 1999
THOMAS, Nicholas, Possessions: Indigenous Art, Colonial Culture, London: Thames and Hudson, 1999.
THOMAS, Nicholas, Entangled Objects Exchange, Material Culture and Colonialism in the Pacific, Cambridge: Harvard University Press, 1991.
THOMAS, Nicholas, Colonialism's culture anthropology, travel and government, Cambridge: Cambridge Polity, 1993.
THOMAS, Oceanic art. London: Thames and Hudson, 1995.
Arte Aborigen Australiano Contemporáneo del Desierto
Mbantua Gallery. Galería y museo cultural en Alice Springs -Northern Territory, Australia- que patrocina, difunde y vende obras de arte indógena contemporáneo de la Región Utopia: http://www.mbantua.com.au/
Papunya Tula. Web oficial de la Papunya Tula Artists creada el 1972. Promociona, protege y difunde la obra de artistas de Kintore i Kiwirrkura, descendientes de los primeros artistas de la reserva de Papunya: http://www.papunyatula.com.au/
Warlukurlangu Artists Aboriginal Corporation. Weby galería online oficial del centro de arte de la comunidad de Yuendumu. Promociona, patrocina, difunde y protege la obra de artistas de Yuendumu y Nyirrpi que forman parte de la WarlukurlangucArtistscAboriginal Corporation: http://warlu.com/
Colecciones de Arte Aborigen Australiano
Galería Nacional de Australia: http://www.nga.gov.au/Home/index.cfm
Galería Nacional de Australia, Tierra de Arnhem: http://www.nga.gov.au/Home/Frameset.cfm
Museo de Arte Aborigen de Utrech (Único museo europeo dedicado a la difusión del arte indígena australiano): http://www.aamu.nl/
Musée de Confluences. http://www.museedesconfluences.fr/. Museo interdisciplinar que cuenta con una importante colección de arte indígena australiano contemporáneo, comisariada por Stéphan Jacob -uno de los grandes expertos europeos en arte aborigen australiano, y propietario de la galería: http://www.artsdaustralie.com/
Museu de QuaiBranly. Importante colección de cultura material indígena australiana y creciente colección de pintura sobre corteza de eucalipto contemporánea de la zona de Arnhem Land (Northern Territory australiano) y de acrílico sobre tela de la zona del Desierto Central y Occidental australiano: http://www.quaibranly.fr/
Arte Indígena de América
BOAS, Franz, El Arte primitivo, Buenos Aires: Fondo de Cultura Económica,1947.
CORREA, G.C.; BARRY, I., Amazonia, Brasil prehistórico, Barcelona: Museo Barbier-Mueller de Arte Precolombino, 2008
DEMAREST, A. CONRAD, G., Ideology and Pre-Columbian Civilisations, Santa Fe, New Mexico: School of American Research Press, 1992.
SAUER, C. O., The Early Spanish Man, México: Fondo de Cultura Económica, 1984.
OLIVER, J. (editor), El Caribe Precolombino: Fray Ramon Pané y el universo taíno, Barcelona: Museu Barbier-Mueller d'Art Precolombí, 2008.
PATERNOSTO, César (comisario). Abstracción: Paradigma amerindio. Bruselas: IVAM, 2001.
WARBURG, Aby, Images From the Region of The Pueblo Indians of North America, Ithaca: NY Cornell University Press, 1995.
Haïti chérie, Arte haitiano de hoy, Mexico: Dirección General de Culturas Populares,1993.
América Precolombina, Barcelona: Museo Barbier Mueller/ Skira, 1997.
DELGADO, L. Introducción a la estética de las sociedades antiguas de Venezuela, 1989, en http://www.kalathos.com/sep2001/pensamiento/delgado/delgado.htm
Museo de Arte Precolombino Barbier Mueller: http://es.amigosprecolombino.es/
Museo Chileno de Arte Precolombino: http://www.precolombino.cl/
MALI: Museo de Arte de Lima: http://www.mali.pe/
Bibliografía Relacionada: Estética, Filosofía, Historia de las Religiones
AUGÉ, Marc, Dios como objeto: símbolos, cuerpos, materias, palabras, Barcelona: Gedisa, 1996.
AUGÉ, Marc, Genio del paganismo. Barcelona: Muchnik, 1993.
BASTIDE, Roger, Le Sacré Sauvage, Paris: Payot, 1975.
BASTIDE, Roger, Sociología de la religión. Madrid : Júcar, 1986.
COOMARASWAMY, A.K., Traditional Art and Symbolism, New Jersey/Oxford: Princeton University Press, 1977.
ELIADE, Mircea, El mito del eterno retorno, Madrid: Alianza,1972.
ELIADE, Mircea, Mitos, sueños y misterios. Barcelona: Kairós: 2005
ELIADE, Mircea, Lo Sagrado y lo profano. Barcelona: Paidós, 1998.
ELIADE, Mircea, El Vuelo mágico, Madrid: Siruela, 1995.
ELIADE, Mircea, El Chamanismo y las técnicas arcaicas del éxtasis. Méjico D.F: Fondo de Cultura Económica, 1992.
ELIADE, Mircea, Diccionario de las religiones, Barcelona: Paidós, 1992.
ELIADE, Mircea, Tratado de historia de las religiones, morfología y dialéctica de lo sagrado, Madrid: Cristiandad, 1981.
GOMBRICH, E.H. La Preferencia por lo primitivo. Madrid: Debate: 2003.
GOMBRICH, E.H. Arte e ilusion. Madrid: Debate, 2002.
RIEGL, A., Problemas de estilo: Fundamentos para una historia de la ornamentación, Barcelona: Gustavo Gili, 1980.
TAROT, Camille, Le symbolique et le sacré. Paris : La Découverte, 2008.
WORRINGER, W., Abstracción y Naturaleza, México, D.F.: Fondo de Cultura Económica, 1997.
September 27, 1984–January 15, 1985. The Museum of Modern Art