"Comparative Cinema" publishes its Issue No. 24, "Echoes and Reverberations: Reflections on Film Trilogies"
"Comparative Cinema" publishes its Issue No. 24, "Echoes and Reverberations: Reflections on Film Trilogies"
"Comparative Cinema" publishes its Issue No. 24, "Echoes and Reverberations: Reflections on Film Trilogies"
The academic journal Comparative Cinema has published its Issue No. 24, Echoes and Reverberations: Reflections on Film Trilogies, edited by Brunella Tedesco-Barlocco. The publication, from the CINEMA research group, explores the concept of the trilogy as an open and multifaceted form that, far from having a fixed definition, unfolds across narrative planning, critical groupings, and authorial exercises. The texts in the dossier examine specific cases of both commercial and auteur trilogies, showing how they can function as spaces for formal, thematic or autobiographical exploration, often in tension between coherence and variability. The importance of the critical gesture and the authorial desire in the constitution of some trilogies is highlighted, pointing out how their existence may stem as much from a creative decision as from an interpretative or analytical operation. Finally, the study of trilogies is presented as a means of thinking about cinema in relational and comparative terms, through the dialogue between works and their echoes, rather than from the unity of a single film.
DOSSIER: ECHOES AND REVERBERATIONS. REFLECTIONS ON FILM TRILOGIES
EDITORIAL
Brunella Tedesco-Barlocco
Ecos y reverberaciones. Reflexiones sobre trilogías fílmicas
ARTICLES
Gabriel Doménech González
El empleado saliente. La “Trilogía del trabajo” de Ermanno Olmi (1959-1963) y su relación con el cine corporativo de la Edisonvolta
Emre Caglayan
The Wanderlust of Wim Wenders: The Tracking Shot in the “Road Trilogy”
Marina Soler Jorge, Ana Karolina Aparecida Alves da Silva
The Slasher Trilogy Fear Street in a Comparative Perspective: Between Intertextuality and Diversity
Guillermo G. Peydró
Verdad, ficción y mentira en la “Trilogía de la cabaña” de Eric Pauwels. Formas de la inscripción autobiográfica
Ana Aitana Fernández Moreno
La “Trilogía del recuerdo”: autobiografía y memoria fílmica en el cine de Terence Davies
Julia Kratje
Donde naufraga la moda. Algunas consideraciones sobre la forma trilógica en el cine de Lucrecia Martel
REVIEWS
DOCUMENT DOSSIER: TEMPORALITIES OF THE CINEMA OF THE REAL
Christa Blümlinger
Temporalidades del cine de lo real
Christa Blümlinger
El corte como desafío al tiempo real
Christa Blümlinger
El devenir-archivo de una película de posguerra: Aubervilliers (1946) de Eli Lotar
Christa Blümlinger
De cómo, en Agnès Varda, pintura y fotografía se suben a la barca del cine
Christa Blümlinger
Encuadrar, esconder, hacer aparecer. Proyecciones de Mark Lewis
Christa Blümlinger