"Comparative Cinema" publishes its issue No. 25, "The Body Without Limits. The Monstrous-Feminine in Spanish Cinema"

"Comparative Cinema" publishes its issue No. 25, "The Body Without Limits. The Monstrous-Feminine in Spanish Cinema"

08.01.2026

 
 

The monograph "The Body Without Limits. The Monstrous-Feminine in Spanish Cinema" revolves around the continuing relevance and transformations of the concept of the monstrous-feminine as formulated by Barbara Creed, taking as its central axis its—until now little explored—dialogue with Spanish cinema. Building on the theoretical impact of The Monstrous-Feminine within horror film studies, the dossier examines how women move beyond the position of passive victims to embody what the patriarchal order fears, projecting its anxieties onto female bodies marked by abjection, maternity, possession or alterity. From late Francoism to contemporary cinema, the contributions analyse how these forms of the monstrous-feminine cut across both horror and other genres, revealing tensions between victimhood and agency, and between symbolic imposition and political reappropriation. The monograph combines an extensive interview with Creed—where the theorist revisits and expands her conceptual framework through readings of canonical and recent Spanish films—with articles that address genealogies of monstrous motherhood, feminist re-readings of body horror, intersections with queer, religious and racial perspectives, and case studies ranging from exploitation cinema to found footage and the Feminist New Wave of women filmmakers. Taken together, the issue proposes a critical cartography of the female body as a site of conflict, resistance and resignification, showing how, in the twenty-first century, the monstrous can become a form of agency capable of destabilising law, language and patriarchal fantasies of femininity.

 

Editorial

 

Sergi Sánchez

El cuerpo sin límites. El monstruoso-femenino en el cine español

 

Films en discussió

Edurne Larumbe Villareal

The Monstrous-Feminine Then and Now: An Interview with Barbara Creed

 

Itxaso del Castillo Aira, Alejandro Melero 

Itxaso del Castillo and Alejandro Melero. Dialogue on the Monstrous-Feminine in Spanish Cinema

 

Articles

Fernando Sánchez López

Towards a Fluid Genealogy of the Spanish Feminist-Fantastic: Creatura in the Face of New Iterations of the Monstrous-Feminine

 

Mireia Trias Alguacil

Devolverle a la madre la vida. Una posible genealogía de la maternidad monstruosa en el cine español

 

Elinor Dolliver

Tristana Medeiros and the Inhibited Feminist Potential of [REC]’s Monstrous-Feminine

 

Erika Tiburcio Moreno

Possessed Girls and Covens: The Spanish and American Female Monster Through the Lens of Conservatism and National-Catholicism

 

Irene Baena Cuder

Abject Births and the Monstrous-Feminine in Álex de la Iglesia’s Witching and Bitching and 30 Coins

 

Rear Window

Breigh Plat

Abjection, Monstrosity, Substitutability: Reading Blackness and Gender in Orlando, My Political Biography and Symbiopsychotaxiplasm: Take One

 

Reviews

Daniel Grandes Rodríguez

del Castillo Aira, Itxaso. 2024. Mujeres furiosas. El monstruo femenino en el audiovisual de terror. Universidad del País Vasco / Euskal Herriko Unibertsitatea, Argitalpen Zerbitzua, pp. 274.

 

Sergi Sánchez

Zulueta, Iván. 2025. Diario de Nueva York. Pepitas de Calabaza/Filmoteca Española. 245 pp.

 

Documents

Ignacio Albornoz

Las atracciones o el otro propósito del cine

 

Tom Gunning

Metáforas coloridas: la atracción del color en el cine de los orígenes

 

Tom Gunning

La atracción del movimiento: la representación moderna y la imagen del movimiento

 

Tom Gunning

Máquinas alocadas en el jardín de senderos que se bifurcan: los gags de travesuras y los orígenes de la película cómica estadounidense