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Arribas, Sonia. En ausencia de evidencia científica... imposición de ideales. Un comentario crítico del modelo Denver de tratamiento del autismo. L'Atelier 2022; (5): 115-119.
Arribas, Sonia. Comentarios a los conceptos de falo lesbiano (Butler) y dildo (Preciado). Dins: Coccoz, Vilma (coord.). El deseo trans. 1 ed. Barcelona: RBA Gredos; 2022. p. 118-134.
Arribas, Sonia; Rouse, Howard. Amores, síntomas, políticas y Proust: una entrevista a Alan Pauls. La Maleta de Portbou 2022; ( ): 90-96.
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Macsotay T. More than Gossip and less than Monuments. Forms of Ambition in the 1790s and early 1800s Roman Bust Portrait. Dins: Fejfer J, Johannsen KB. Sculpture workshops as space and concept creating the portrait. 1 ed. Nova York: Routledge; 2022. p. 59-85.
Arribas, Sonia. "As Good as a Chorus": Hamlet's Mousetrap in Philosophy and Psychoanalysis (fothcoming). Textual Practice 2021; ( ): 1-22.
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Arribas, Sonia; Valle, Irene. The Chronicle of Anna Magdalena Bach by Straub and Huillet as a prelude to and reflection of the (cinematographic) transformations of 1968. Quarterly Review of Film and Video 2021; ( ).
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Cairol E, Bunt TM. [Introduction: when spaces become art. total work of art, installation, immersive environments]. Espacio, tiempo y forma. Serie 7, Historia del arte 2021; (9): 15-24.
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Capdevila, Pol; Vilar, Gerard. ¿Quién teme a la historia en el arte?. 1 ed. UPF; 2021.
Cozzoli, D.. Machiavelli: Italian Historiography and Politics. History of humanities 2021; 6(1).
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Macsotay T. Ce mouvement qui paraît l'âme de l'Univers» Le fantôme du paysage chez Claude-Henri Watelet et Nicolas le Camus de Mézières. Dins: Saiello, Emilie; Châtel, Laurent; Martichou, Elisabeth (eds.). Ecrire et peindre le paysage en France et en Anglaterre 1750-1850 1 ed. Rennes Presses Universitaires de Rennes; 2021. p. 69-85.
Macsotay T. More than Gossip and less than Monuments. Forms of Ambition in the 1790s and early 1800s Roman Bust Portrait (Upcoming). Dins: Fejfer, Jane; Bøggild Johannsen, Kristine Kristine (eds.). Sculpture Workshops as space and concept: creating the portrait. 1 ed. Routledge; 2021.
Macsotay T. Al vestigio, un cuerpo. Redención y maldición del pasado en la instalación (Upcoming). Dins: Capdevila, Pol; Vilar, Gerard. ¿Quién teme a la historia en el arte?. 1 ed. UPF; 2021.
Macsotay, Tomas. From Sculpture to Engraving: Obscenity and Desire in Edmé Bouchardon¿s Copies of Antiquities According to Preissler¿s Etchings in Statuae Antiquae (1732) (Upcoming) Word & image interactions 2021; ( ).
Macsotay, Tomas. La Capilla de los huérfanos de Paris de Germain Boffrand (1746-50) y la resonancia posterior de la obra de arte pseudo-escénica (Upcoming). Espacio, tiempo y forma 2021; 7(9).
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Macsotay, Tomas (ed.) Cairol, Eduard (ed.). Espacio Tiempo y Forma. Serie VII, nº 9. Historia del Arte. Dossier "The Overflowing Object. Immersive Spaces and Multi-Sensorial Strategies in Art". 1 ed. UNED. Facultad de Geografía e Historia; 2021.
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