Mateo R. Louit and Álvaro Cabero

What is it made of? It is interesting to think about the audiovisual phenomenon with its own substance and mistakes as a starting point. We approach mistakes in the audiovisual flow as a tool for breaking down —through their organic pixel— images and icons that belong to our story and help us imagine the future. Cinema and its nooks intertwine to talk to us about their evolution and their technological, conceptual flow. The video (game), with its re-appropriating of images, allows us to get close to the limits of its capacities for expression and discourse.