Tema 1 | Tema 2 | Tema 3 | Tema 4 | Tema 5 | Tema 6 | Tema 7 | Tema 8 | Tema 9 | Tema 10

Bibliografia | Enllaços | Articles | Traduccions

• John Calder, Three Beckett Plays at the Harold Clurman Theatre.
• Su Tong, Raise the Red Lantern.
• Helen Finken, "Interview with Yu Hua, author of To Live (Huo Zhe)".
• Mabel LEE, Walking out of other People's Prisons: Liu Zaifu and Gao Xingjian on Chinese Literature in the 1990s.
• Yu Hua, "To Live A Novel", Education about Asia.
• Robert Chi, " Picturing the Nanjing Massacre".
• Perry Link, Ideology and Theory in the Study of Modern Chinese Literature: An Introduction.
• Hua Li, Chinese “Avant-Gardism”: A Representative Study of Yu Hua's “1986”.
• Paul Bady, "The Modern Chinese Writer: Literary Incomes and Best Sellers".
• Geremie Barme, "Chaotou Wenxue-China's New Literature".
• Lawrence W. Chisolm,"Lu Hsun and Revolution in Modern China".
• John Chinnery, "Lu Xun and Contemporary Chinese Literature".
• Jonathan Arac, "Chinese Postmodernism: Toward a Global Context".
• Y.H. Zhao, "The Rise of Metafiction in China".
• Martin Weizong Huang, "The Inescapable Preciament: The Narrator and His Discourse in "The True Story of Ah Q".
• Arif Dirlik i Zhang Xudong, "Introduction: Postmodernism and China".
• Dai Jinhua i Judy T. H. Chen, "Imagined Nostalgia".
• Xen Xiaoming, Liu Kang i Anbin Shi, "The Misterious Other: Postpolitics in Chinese Film".
• Zi Zhongyun, "The Relationship of Chinese Traditional Culture to the Modernitzation of China: An Introduction of the Current Discussion".
• Ien Ang, "Can One Say No to Chinesseness? Pushing the Limits of the Diasporic Paradigm".
• Charles A. Lauglin, "Narrative Subjectivity and the Production of Social Space in Chinese Reportage".
• Merle Goldman, "Politically-Engaged Intellectuals in the Deng-Jiang Era: A Changing Relationship with the Party-State".
• Xiaobing Tang, "Lu Xun's Diary of a Madam and Chinese Modernism".
• Xiaobing Tang, "Melancholy against the Grain: Approaching Postmodernity in Wang Anyi's Tales of Sorrow".
• Liu Kang, "Popular Culture and the Culture of the Masses in Contemporary China".
• Ban Wang, "The Sublime Subject of History and Desublimation in Contemporary Chinese Fiction".
• Thomas B. Gold, "Go with Your Feelings: Hong Kong and Taiwan Popular Culture in Greater China".
• Gloria Davies, "The Problematic Modernity of Ah Q".
• Liping Feng, "Democracy and Elitism: The May Fourth Ideal of Literature".
• Theodore Huters, "Blossoms in the Snow: Lu Xun and the Dilemme of Modern Chinese Literature".
• Marston Anderson, "The Specular Self: Subjective and Mimetic Elements in the Ficiton of Ye Shaojun".
• Yuan Shu, "Cultural Politics and Chinese-American Female Subjectivity: Rethinking Kingston's 'Woman Warrior'".
• David Der-Wei Wang, "Three Hungry Women".
• Theodore Huters, "Speaking of Many Things: Food, Kings and the National Tradition in Ah Cheng's The Chess King".
• Michelle Yeh, "International Theory and the Transnational Critic: China in the Age of Multiculturalism".
• Mu Ling, "Beyond the Theory of 'Language Games': Huang Ziping and Chinese Literary Criticism in the 1980s".
• Sheldon Hsiao-Peng Lu, "Postmodernity, Popular Culture, and the Intellectual: A Report on Post-Tiananmen China".
• Zhang Longxi, "Out of the Cultural Ghetto: Theory, Politics, and the Study of Chinese Literature".
• Yingjin Zhang, "The Institutionalitzation of Modern Literary History in China, 1922-1980".
• Judith Farquhar, "Eating Chinese Medicine".
• Wendy Larson, "Realism, Modernism, and the Anti-'Spiritual Pollution' Campaign in China".
• Geremie R. Barme, "To Screw Foreigners is Patriotic: China's Avant-Garde Nationalist".
• Xudong Zhang, "On Some Motifs in the Chinese 'Cultural Fever' of the Late 1980s: Social Change, Idelology, and Theory".
• Guo Jian, "Resisting Modernity in Contemporary China: The Cultural Revolution and Postmodernism".
• Bonnie McDougall, "Problems and Possibilities in Translating Contemporary Chinese Literature".
• Xudong Zhang, "Nationalism, Mass Culture, and Intellectual Strategies in Post-Tiananmen China".
• Stanley K. Abe, "No Questions, No Answers: China and A Book from the Sky".
• Wang Hui i Rebecca E. Karl, "Contemporary Chinese Thought and the Question of Modernity".
• Zhang Yiwu i Michael Berry, "Postmodernism and Chinese Novels of the Nineties".
• Bonnie S. McDougall, "Literary Decorum or Carnivalistic Grotesque: Literature in the People's Republic of China after 50 Years".
• Xiaobin Yang, "Maoist Discourse, Trauma, and Chinese Avant-Garde Literature".
• Edward X. Gu, "Cultural Intellectuals and the Politics of the Cultural Public Space in Communist China (1979-1989): A Case Study of Three Intellectual Groups".
• Stig Thogersen, "Cultural Life and Cultural Control in Rural China: Where is the Party?".
• Frederick P. Brandauer, "Regionalism and Modernism in the Life and Works of Shen Congwen".
• Ann Wedell-Wedellsborg, "One Kind of Chinese Reality: Reading Yu Hua".
• Wang Ning, "The Mapping of Chinese Postmodernity".
• Geremie Barme, "Wang Shuo and Liumang ('Hooligan') Culture".

Manel Ollé