Bibliografia


Cinema de Japó

BUCCHERI, V. (2001) Takeshi Kitano. Milano: il castoro cinema.
BURCH, N. (1982) Pour un observateur lointain. Forme et signification dans le cinéma japonais. Paris: Gallimard-Cahiers du Cinéma.
DESSER, D. (1997) Ozu's Tokyo Story. Cambridge: Cambridge University Press.
GOODWIN, W. (1994) Akira Kurosawa and Intertextual Cinema. Baltimore: Johns Hopkins University Press.

KUROSAWA, A. & RICHIE, D. (1994) Rashomon. New Brunswick: Rutgers University Press.

MELLEN, J. (2002) Seven Samurai. London: British Film Institute.
OZU, Y. (1993) Antología de los diarios de Yasujiro Ozu . Valencia: Filmoteca Generalitat Valenciana.

QUANDT, J. ed. (1997) Shohei Imamura. Toronto: Cinematheque Ontario.
RICHIE, D. (1977) Ozu. Berkeley: University of California Press.
RICHIE, D. (1990) Japanese Cinema: An Introduction. Hong Kong: Oxford University Press.
RICHIE
, D. (1996) The Films of Akira Kurosawa. Berkeley: University of California Press.
RICHIE, D. (2004) Cien años de cine japonés. Madrid: Ediciones Jaguar.
SANTOS, A. (1993) Kenji Mizoguchi. Madrid: Catedra.

SCHRADER, A. (1999) El estilo trascendental en el cine: Ozu, Bresson, Dreyer. Madrid: Cátedra.

SATO T. (1997) Le cinéma japonais. Paris: Centre Georges Pompidou.
SCHENEIDER, A. (2003) Cinéma et spiritualité de l'Orient extrême: Japon et Corée. Paris: L'Harmattan.
TASSONE, A. (1990) Akira Kurosawa. Paris: Flammarion.
TOMASI, D. (1996) Yasujiro Ozu. Milano: il castoro cinema.
VIDAL ESTEVEZ, M. (1992) Akira Kurosawa. Madrid: Catedra.
YOSHIDA, K. (1998) Ozu ou l'anti-cinéma. Arles: Actes Sud.


Cinema d'Asia Oriental

COPPOLA, Antoine (2004): Le cinéma asiatique: Chine, Corée, Japon, Hong-Kong, Taïwan. París: L'Harmattan.


Cinema de Hong Kong

ASSAYAS, O. & TESSON, C. (1984) Hong Kong Cinema. Paris: Cahiers du Cinema.
BERRUEZO
, J. (2000) John Woo y el cine de acción de Hong Kong. Barcelona: Glénat.
BORDWELL
D. (2000) Planet Hong Kong. Cambridge: Harvard University Press.
BERRY
, J. (2003) Chinese Films in Focus. 25 New Takes. London: British Film Institut.
DISSANAYAKE
, W. (2003) Wong Kar-wai's Ashes of Time. Hong Kong: Hong Kong University Press.
FANG
, K. (2004) John Woo's A Better Tomorrow. Hong Kong: Hong Kong University Press.
HEREDERO
, C.F. (2003) La herida del tiempo. El cine de Wong Kar-wai. Valladolid: Semana Intyernacional del cine.
SCHROEDER
, A. (2004) Tsui Kark's Zu: Warriors from the Magic Mountain. Hong Kong: Hong Kong University Press.
TAMBLING
, J. (2003) Wong Kar-wai's Happy Together. Hong Kong: Hong Kong University Press.
YAU, C.M. ed. (2001) Hong Kong Cinema in a Border World: At Full Speed . Minneapolis: Minnesota University Press.


Cinema de Taiwan

BERRY , J. (2003) Chinese Films in Focus. 25 New Takes. London: British Film Institut.
CHESIRE
, E. (2001) Ang Lee. Harpenden: Pocket Essentials..
MULLER, M. ed. (1985) Taiwan: nuove ombre electriche. Venezia: Marsilio Editori.
REYNAUD, B. (2002) A City of Sadness / Beiqing chengshi. London: British Film Institut.


Cinema de la República Pupular Xina

BERGERON, R. (1997) Le cinéma chinois, 1984-1997. Aix-en-Provence: L'institut de l'image.
BERRY , J. (2003) Chinese Films in Focus. 25 New Takes. London: British Film Institut.
CORNELIUS, S. (2002) New Chinese Cinema. Challenging Representations. London: Wallflower.
SEMSEL, G.S & XIA, H. & HOU, J. (1990) eds. Chinese Film Theory. New York: Praeger.
TAM, K-K. & DISSANAYAKE, W. (1998) New Chinese Cinema. Hong Kong: Oxford University Press.
WANG, J. & BARLOW, T. (2002) Cinema and Desire. Feminist Marxism and Cultural Politics in the Work of Dai Jinhua. London: Verso.