BIBLIOGRAFÍA TEMA 1: Versión pdf para imprimir

Elementos para una definición del arte primitivo. Estética y Antropología. El arte primitivo como estilo: elementos formales y conceptuales.

(*ejemplar introducido por nombre del editor)

*ABIDOUN, Rowland ...(et al), African art studies, The state of the discipline papers presented at a symposium...(1987),Washington D.C.: National Museum of African Art Smithsonian, 1990

*ANDERSON, Richard L.(ed.), Art in a small-scale societies contemporary readings, Englewoods Cliffs, Prentice Hall, 1993.

AUGÉ, Marc, Les Sens des autres actualité de l'antrophologie, France: Fayard, 1994.

*BARRINGER, Tim and FLYNN, Tom, Colonialism and the object empire,Material culture and the museum, London: Routledge, 1998.

BENNET, Tony, The birth of the Museum: history, theory, politics, London: Routledge, 1995.

BLOCKER, H. Gene, The Aesthetics of primitive art, Lanham: Unversity Press of America, 1994.

BOAS,Franz, El Arte primitivo, Buenos Aires: Fondo de Cultura Económica,1947.

CLIFFORD, James, Dilemas de la cultura, Antropología, literatura y arte en la perspectiva postmoderna, Barcelona: Gedisa, 1995.

CLIFFORD, James, Retóricas de la antropología, Madrid: Júcar, 1991.

COOMBES, Annie E., Reinventing Africa, Museums, material culture and popular imagination in late Victorian and Edwardian England, New Haven: Yale University Press, 1994.

*COOTE, Jeremy and SHELTON,Anthon, Antropology, art and aesthetics, Oxford: Clarendon, 1992.

ELIADE, Mircea,El mito del eterno retorno, arquetipos y repetición. Madrid: Alianza, 1972.

FABIAN, Johannes. Time and the others, How antrophology makes its object, New York: Columbia University Press, 1983.

*GRABURN, Nelson H.H., Ethnic and tourist arts cultural expressions from the fourth world, Berkeley: University of California Press, 1976.

*KAPLAN, Flora E. S., Museums and the making of "ourselves", The role of objects in national identity, London: Leicester University Press, 1994.

KUPER, Adam, The invention of primitive society transformations of an illusion, London: Routledge, 1998.

LÉVI-STRAUSS,Claude. Arte, lenguaje, etnología, México: siglo XXI, 1975

LÉVI-STRAUSS,Claude. El pensamiento salvaje, México: FCE, 1972.

*MARCUS, George E. and Myers, Fred R., The Traffic in culture refiguring art and anthropology, Berkeley: University of California Press, 1995.

MUDIMBE, V.Y., The Invention of Africa, Gnosis, philosophy, and the order of knowledge, London: James Currey, 1988.

OCAMPO, Estela, Apolo y la máscara, Barcelona: Icaria, 1985.

*OGUIBE, Olu, Reading the contemporary: african art from theory to the marketplace, London: INIVA, 1999

PRICE, Sally, Arts primitifs regards civilisés, Paris: École nationale supérieure des beaux-arts, 1995.

RICHARDS, David, Masks of difference cultural representations in literature, anthropology and art, Cambridge: Cambridge University Press, 1994.