BIBLIOGRAFIA: Arte primitivo, Primitivismo, Arte Africano, Arte aborigen, Arte Oceánico.
*son los ejemplares que se han entrado por el nombre del editor.
*ABIDOUN, Rowland ...(et al), African art studies, The state of the discipline papers presented at a symposium...(1987),Washington D.C.: National Museum of African Art Smithsonian, 1990
AMES, Michael M., Cannibal tours and glass boxes: the anthropology of museums, Vancuver: UBC Press,1992.
*ANDERSON, Richard L.(ed.), Art in a small-scale societies contemporary readings,Englewoods Cliffs, Prentice Hall, 1993.
ATTWOOD, Bain. The making of the aborigines, Sydney: Allen & Unwin, 1989.
AUGÉ, Marc, Les Sens des autres actualité de l'antrophologie, France: Fayard, 1994.
BARKAN, Elazar, Prehistories of the future, Stanford: Stanford University, 1995
*BARRINGER, Tim and FLYNN, Tom, Colonialism and the object empire,Material culture and the museum, London: Routledge, 1998.
BENNET, Tony, The birth of the Museum: history, theory, politics, London: Routledge, 1995.
BLIER, Preston Suzanne, L'Art Royal Africain, Paris: Flammarion, 1997.
BLOCKER, H. Gene, The Aesthetics of primitive art, Lanham: Unversity Press of America, 1994.
BIHALJI-MERIN,Oto, Modern primitives, Naive painting from the late seventeenth century until the present day, London: Thames and Hudson, 1971.
BIHALJI-MERIN, Oto, World encyclopedia of naive art a hundred years of naive art, London: Frederick Muller, 1984.
BOAS,Franz, El Arte primitivo, Buenos Aires: Fondo de Cultura Económica,1947.
BÜHLER, Alfred, Oceanía y Australia, Barcelona: Praxis, Seix Barral, 1963.
BURT, Eugene, Serials guide to ethnoart, A guide to serial publications on visual arts of Africa, Oceania, and America, New York: Greenwood Press, 1990.
*CARR, Christopher and NEITZEL, Jill (ed.), Style, society, and person. Archeological and ethnological perspectives, New York: Plenum Press, 1995.
CARUANA, Wally, Aboriginal Art, Londres:Thames and Hudson, 1994.
CLIFFORD, James, Dilemas de la cultura, Antropología, literatura y arte en la perspectiva postmoderna, Barcelona: Gedisa, 1995.
CLIFFORD, James, Malaise dans la culture l'etnographie, la littérature et l'art au XXè siècle, Paris:École nationale supérieure des Beaux-Arts, 1996.
CLIFFORD, James, The Predicament of culture twentieth-century ethnography, literature, and art, Cambridge: Harvard University Press, 1988.
CLIFFORD, James, Retóricas de la antropología, Madrid: Júcar, 1991.
*CLIFFORD, James, Writing culture the poetics and politics of ethnographu a School of American Research advanced seminar, California: Berkeley University of California Press, 1986.
COETZEE, J.M. Esperant els bàrbars, Barcelona: Edhasa, 1988.
CONNELLY, Frances S., The Sleep of reason, Primitivism in modern European art and aesthetics, 1725-1907, Pennsylvania: University Press University Park, 1995.
COOMBES, Annie E., Reinventing Africa, Museums, material culture and popular imagination in late Victorian and Edwardian England, New Haven: Yale University Press, 1994.
*COOTE, Jeremy and SHELTON,Anthon, Antropology, art and aesthetics, Oxford: Clarendon, 1992.
CORTÉS LÓPEZ, José Luis, Arte negroafricano, Madrid: Mundo Negro, 1992.
COURTNEY-CLARKE, Margaret, Ndebele the art of an african tribe photographs, New YorK: Rizzoli, 1986.
D'ALLEVA, Anne, Art of the Pacific, London: Weindenfeld and Nicolson, 1998.
DAGEN,Philippe, Peintre, le poète, le sauvage: les voies du primitivisme dans l'art français, Paris: Flammarion, 1998
DRISKELL, David C., African american visual aesthetics: a postmodernist view. Washington : Smithsonian Institution Press, 1995
ELIADE, Mircea, El mito del eterno retorno, Madrid: Alianza,1972.
ELIADE, Mircea, Diccionario de las religiones, Barcelona: Paidós, 1992.
ELIADE, Mircea,Tratado de historia de las religiones, morfología y dialéctica de lo sagrado, Madrid: Cristiandad, 1981.
*FYFE, Gordon and MACDONALD, Sharon (ed), Theorizing museums representing identity and diversity in a changin world, Oxford: Blackwell, 1996.
GILLON, Werner, Breve historia del arte africano, Madrid: Alianza, 1989.
HARRISON,Charles, Primitivism, cubism, abstraction:The early twentieth century, New Haven: Yale University Press, 1993.
HARRISON, Charles, Primitivismo, cubismo y abstracción, los primeros años del siglo XX, Madrid: Akal,1998.
*HILLER, Susan, The myth of primitivism perspectives on art, London: Routledge, 1991.
FABIAN, Johannes. Time and the others, How antrophology makes its object, New York: Columbia University Press, 1983.
GIEDION, S., El Presente eterno, Una aportación al tema de la constancia y el cambio, Madrid: Alianza, 1992.
GILLON,Werner, Breve historia del arte africano, Madrid: Alianza, 1989.
GOLDWATER, Robert John, Primitivism in modern art, Cambridge: Belknap Press of Harvard University Press, 1986.
GUIART, J.,Oceanía, Madrid: Aguilar: 1963.
*GRABURN, Nelson H.H., Ethnic and tourist arts cultural expressions from the fourth world, Berkeley: University of California Press, 1976.
GRÖNING, Kalrl (ed) Body decoration: A world Survey of Body Art, New York: The Vendome Press, 1998.
*JEWSIEWICKI, Bogumil et LÉTORNEUAU, Jocelyn, Constructions identitaries questionnements théoriques et etudes de cas Jean-Loup Amselle... [et al], Quebec:Célat, 1992.
*JEWSIEWICKI, Bogumil and NEWBURY, David, African historiographies, What history for which Africa, California: Beverly Hills Sage, 1986.
JULES-ROSETTE, Benetta, The messages of tourist art and african semiotic system in comparative perspective, New York: Plenum Press, 1984.
*KAPLAN, Flora E. S., Museums and the making of "ourselves", The role of objects in national identity, London: Leicester University Press, 1994.
KUPER, Adam, The invention of primitive society transformations of an illusion, London: Routledge, 1998.
KUPER, Adam, Anthropologists and anthropology the British school, 1922-1972,Harmondsworth: Penguin, 1978.
KUPER, Adam, Antropology and anthropologist the modern British school, London: Routledge, 1983. 47. KUPER, Adam & Jessica, The Social science encyclopedia, London: Routledge & Kegan Paul, 1985.
LAUDE, Jean, Las Artes del África Negra, Barcelona: Labor, 1973.
LAUDE, Jean, Les Arts de l'Afrique noire, Paris: Librairie Générale Française, 1966.
LEIRIS, Michael, Mirroir de l'Afrique,Gallimard
LEIRIS, Michael, Africa negra, la creación plástica, Madrid: Aguilar, 1967.
LEIRIS, Michael, Cinq études d'ethnologie, Paris: Denoël, 1969.
LEIRIS, Michael, L'Etnòleg davant el colonialisme, Barcelona: Icaria, 1995.
LEIRIS, Michael, La Langue secrète des dogon de Sanga, Paris: Jean Michel Place, 1992.
LEMKE, Sieglinde, Primitivist modernism. Black culture and the origins of transatlantic modernism, New York: Oxford University Press, 1998.
LEUZINGER, Elsy, África negra, Barcelona: Praxis Seix Barral, 1961.
LÉVI-STRAUSS, Claude, Arte, lenguaje, etnología, México: SigloXXI, 1975.
LÉVI-STRAUSS, El pensamiento salvaje, México: FCE, 1972.
LIPPARD, Lucy R., Mixed blessing new art in a multicultural, New York: Pantheon Books, 1990.
LIPPARD, Lucy R., Overlay contemporary art and the art of prehistory, New York: New Press, 1983.
LOVEJOY, Arthur O., Primitivism and related ideas in antiquity, Baltimore:Johns Hopkins University Press 1997
*MARCUS, George E. and Myers, Fred R., The Traffic in culture refiguring art and anthropology, Berkeley: University of California Press, 1995.
MARQUET, Jacques Jérôme Pierre, L'antropologue observe les arts visuels, Paris: Métailié, 1993.
MEYER, Anthony, Oceanic art, Köln: Konemann, 1995.
MORPHY, Howard, Aboriginal art, London: Phaidon, 1998. 64.
*MORPHY,Howard, Animals into art, London: Unwin Human,1989.
MUDIMBE, V.Y., The Invention of Africa, Gnosis, philosophy, and the order of knowledge, London: James Currey, 1988.
OCAMPO, Estela, Apolo y la Máscara, Barcelona: Icaria, 1985.
*OGUIBE, Olu, Reading the contemporary: african art from theory to the marketplace, London: INIVA, 1999
PALERMO, Miguel Ángel, Arte popular africano, Buenos Aires: Centro Editor de América Latina, 1977.
PELTIER,Philippe, Primitivisme et art moderne, Paris: CNDP,1991. 69. PIJOAN,Josep, Arte de los pueblos aborígenes, Madrid: Espasa-Calpe,1989.
PIJOAN,Josep, Arte de los pueblos aborígenes, Madrid: Espasa-Calpe,1931
PRICE, Sally, Arts primitifs regards civilisés, Paris: École nationale supérieure des beaux-arts, 1995.
RHODES, Colin, Primitivism and modern art, London: Thames and Hudson, 1994.
RICHARDS, David, Masks of difference cultural representations in literature, anthropology and art, Cambridge: Cambridge University Press, 1994.
*ROBINSON, Julian, The quest for Human Beauty: an illustrated history, New York: W.W.Norton & c., 1998.
RUBIN, William, Primitivism in 20th century art, Affinity of the tribal and the modern, New York: Museum of Modern Art Boston,1984.
*RUBIN, Arnold (ed.), Mask of civilization, Los Angeles: Museum of Cultural History, University of California,1988.
SAYERS, Andrew, Aboriginal artists of the nineteenth century, Melbourne: Oxford University Press
SCODITTI, Giancarlo M. G., Kitawa a linguistic and aestheic analysisi of visual art in Melanesia, Berlin: Mouton de Gruyter, 1990.
SCHUSTER, Carl, Joint-marks, A possible index of cultural contact between America, Oceania ant de Far East, Amsterdam: Koninklij Instituut voor de Tropen, 1951.
SRIVASTAVA, U. N., Symbolism in the novels of D. H. Lawrence, Delhi: Parkash Chang Narang for Capital Publishing house,1994.
*STARZECKA,D.C, Maori art and culture contributors, London: British Museum Press, 1996.
*THOMAS, Nicholas, Double vision: art histories and colonial histories in the Pacific, Cambridge: Cambridge University Press, 1999
THOMAS, Nicholas, Possessions indigenous art, colonial culture, London: Thames and Hudson, 1999.
THOMAS, Nicholas, Entangled objects exchange, material culture and colonialism in the Pacific, Cambridge: Harvard University Press, 1991.
THOMAS, Nicholas, Colonialism's culture anthropology, travel and government, Cambridge: Cambridge Polity, 1993.
THOMAS, Oceanic art. London: Thames and Hudson, 1995.
TORGOVNICK, Marianna, Gone primitive, Savage intellects, modern lives, Chicago: University of Chicago Press, 1991
VIALOU, Denis, La Préhistoire, Paris: Gallimard, 1991.
*VOGEL, Susan, Art-artifact, African art in antrophology collections, New York: Center of African Art, Prestel, 1989.
VOGEL, Susan Mullin, Africa explores 20th century African art, New York: Center for African Art, 1991.
VOGEL, Susan Mullin, Baule African Art, western eyes, New Haven:Yale University Press, University Art, 1997.
VOGEL, Susan Mullin, African Aesthetics, The Carlo Monzino collection. New York: Center for African Art, 1986.
VOGEL, Susan Mullin, For spirits and kings, New York: Center for African Art, 1981.
WARBURG, Aby, Images from the region of the Pueblo Indians of North America, Ithaca: NY Cornell University Press, 1995.
WIEDMANN, August K. German quest for primal origins in art, culture and politics 1900-1933: die "Flucht in Urzustande". Lewinston: Edwin Mellen Press, 1995
WILLET, Frank, African art, an introduction, London: Thames &Hudson, 1971.
WINCH, Peter, Comprender una sociedad primitiva, Barcelona: Paidós, ICE de la UAB, 1994
*Àfrica: màgia i poder, 2500 anys d'art a Nigèria. BCN: Fundació La Caixa,1998.
* Kulturen, Handwerk, Kunst Art, artisanat et societé,Basel, Birkhäuser, 1979.
*Haïti chérie, Arte haitiano de hoy, Mexico: Dirección General de Culturas Populares,1993.